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Showing posts with label Quilt Block Patterns. Show all posts
Showing posts with label Quilt Block Patterns. Show all posts

Monday, February 27, 2012

8 Great Potholders Embroidery Suggestions


Basic Embroidery Stitches for Appliqué

Over the next little while, I’ll be showing you the stitches I use with my appliqué projects.  Our model today is Sunbonnet Sue with her doll.  This is a 6” potholder design from our pattern, “Eight Great Potholders”.




We’ll be looking at and learning about the Blanket or Buttonhole Stitch, Chain Stitch, Lazy Daisy, Stem Stitch, French Knot and Satin Stitch.  In the Sue, above, you can see all but the Satin Stitch used.  I’ll also include some rarer stitches such as the Ribbed Spider and the Bullion Knot.

The first stitch of importance to appliquérs is the Blanket or Buttonhole Stitch.  This is the stitch that makes a nice, protective edge to your appliqué pieces, whether they are turned edges or raw edges with fusible webbing underneath.


Begin the stitch by going down through the appliqué piece about 1/8” to ¼” from the raw edge and coming up right next to the raw edge.  Always go DOWN through the appliqué piece.  Coming UP through the appliqué piece tends to raise it and may cause its position to shift.

To make your next stitch, go down through the appliqué piece again, about 1/8” to ¼” away from the first stitch, holding your working thread so that when you come up through the background piece at the edge of the appliqué, you are making a loop.  Pull the thread firmly (but not too tight) so that the fabric is not pleated or pinched. 

Continue this way until you need to rethread your needle.  To stop, make a stitch and immediately go down through to the back, anchoring your last stitch.  You can make a small knot or weave the remaining thread through your back stitching to tie it off.

 Here are some examples of how to use this stitch.


Here you see the Blanket Stitch in blue along the edge of Sue’s bonnet, in company with the Lazy Daisy and Chain Stitches.



Here you see it used on the tiny head of her doll as well as on her hand and dress.  This embroidery is over two-sided, fusible webbing.  For small, intricate shapes, the webbing works very well, as you can tell.


Here is the stitch used on her shoes in company with a tiny chain stitch.  We used one strand of embroidery floss here, since the shapes are so small.  These potholders bear up well with use but I see a lot of people just hanging them in the kitchen as decorations.  The embroidery does make them a little precious, I think.  I love appliqué with embroidery.


Here is the back of Sue’s dress and a bit of the sleeve with almost all the stitches in view.  They work very well together.


I hope you enjoy using these stitches.  I think I’ll give this pattern away for our next drawing coming up.
Happy Stitching!

Monday, February 13, 2012


"Starters and Stoppers" Quilt

One of the problems with my Singer and my Bernina sewing machines is that they can "eat" small patches of fabric right at the start of the stitching of them.  The wide slot in the throat plate, that allows for the zig-zag stitch on these machines, is a great place for the old needle to stuff all kinds of little quilt patches when it doesn't easily pierce the stuff on the first stitch.  Consequently, I have always used "starters and stoppers" when chain-piecing and sewing small pieces.

What are "Starters and Stoppers", or, S&S's?

They can be any small scrap of any shape which you use, doubled, to make a smooth transition between one piece and another.  I have often used any old piece of fabric lying around and stitched over it again and again, then, thrown it away.  Then, my friend, Joyce, told me she was using her S&S's to make a quilt, while making a quilt.  I bet you're more confused than ever, now.

Joyce showed me how she rotary-cut 2 1/2" squares of light and dark fabric from scraps, and stacked them, alternating colors and shades, beside her machine when she was quilting.  When making a series of units for a block, she would, first, sew onto a pair of the 2 1/2" squares (right sides together), 1/4" from the edge, ending about 1/2" from the corner of the side.  Then, she would lay the first patches to be pieced in front of the presser foot, start the machine, sew off of the S&S and right onto the patch; and continue on, chain piecing the patches.  At the end, she would sew off on another, new pair of S&S's, stop the machine near the edge and snip the patches out from behind the presser foot.  The presser foot would remain down on the S&S, ready to begin a new chain.  In the course of sewing just 12 blocks for a quilt, Joyce could produce quite a stack of S&S's.

When she had quite a few of them, she made them into Four Patch blocks.



When she had quite a few of the Four Patch blocks, she added sashings and borders and VOILA!  A quilt!

So, I started using the 2 1/2" S&S's a couple of years ago.  As a matter of habit, I just kept cutting up my scraps and using them as I pieced quilts.  Last winter, I noticed I had quite a few of them, so put together a little quilt for my grandson, Cole:



A "Starters and Stoppers" Quilt made for my grandson, Cole.


After I made the quilt, I noticed I still had a lot of S&S's, so I made a quilt as a donation for our local women's shelter.  And I still had quite a few left.  So I made two more quilts for grandsons, Dylan and Carsen.  I literally had enough of the little blocks to make four single-bed quilts!  Easy as pie, too, and the boys love them.

You can do this, too.  It becomes a habit that can garner some real benefits.  Hugs for your children and grandchildren and all your loved ones can be given with quilts.  Life is grand.


Sunbonnet Sue is alive and well at Prairie Cottage Corner.  Please visit and see our new quilt patterns and selections.  There's a SALE going on now, too, in our catalog store.  Visit often, please, and tell us about your latest adventures in quilting with Sunbonnet Sue, quilting, applique and other needle adventures.

Friday, October 22, 2010

Booo!!!
New Catalog 

Go to Prairie Cottage Corner to place your order.

After ordering, get a *15% rebate by commenting here and telling me: "Why I love to quilt" OR "Why I love Sunbonnet Sue"


Thank you, lovely Quilters all,

Prairie Stitcher


 
Prairie Cottage Corner - Fields of patchwork......
Prairie Cottage Corner Quilt Patterns - Get one Free!!!!
 

Thursday, October 14, 2010


The Last Rose of Summer Wall Hanging Pattern
 


You can see this pattern at Prairie Cottage Corner. Here's Sue and her kitty picking the last roses of the season in a darling wall hanging made from rose fabric panels. This is a fast and easy applique project.

Have a look at our latest new offerings: "Strawbonnet Sue" and "Southern Sue". These two quilt patterns are just what you have been seeking for the young lady on your Christmas list. It's not too late to start and finish such a quilt! Or make it up into a kit and give it to your Secret Santa Sister in your local quilt guild.

Any rose fabric will do for the panels.

Happy Stitching!

Saturday, April 24, 2010

Flower Basket Sue Quilt Pattern


New Flower Basket Sue Quilt Pattern



" Flowerbasket Sue" is a quilt pattern for a 59" x 73" quilt designed with an applique block of a teen age Sunbonnet Sue holding a basket of flowers and a traditional Flower Basket Block, on point. Above is the pattern layout; below is a photo of the actual quilt.


This is a fun quilt to make. The triangles are a little more complicated and might be a challenge for the beginning quilter, but make a nice statement in the composition of the quilt. Learning to place triangles in a quilt is an important step in quilting. The instructions are written to help quilters successfully cut, handle and stitch them. Below are a few pictures of blocks from the quilt.






Visit Prairie Cottage Corner to purchase this pattern now.  Thank you, Prairie Stitcher

Monday, January 25, 2010

The Hearth is the Heart of Home


The Hearth is the Heart of the Home - A Redwork and Log Cabin block quilt for Valentine's Day. The Redword blocks are sewn on a white on white background with a rose pink print heart overlay. The embroidery is worked both on the white background and between the white and the rose pink. These pictures reflect the story of Sue and her Golden Anniversary Valentine's Day, which you can read in the blog a few days ago. The Redwork blocks include: Sue's Chilly Walk, Girl with Tea & Kittens, James & Sue Courting, The Kiss, Mother & Child
Valentine, Girl with Cookie & Kitten, Sue by the Hearth, and
Twilight Sweethearts. Girl with Tea & Kittens is shown above. This is an easy quilt to construct and a good project for beginners who like embroidery work. The quilt is sized for a twin bed. Watch for the pattern to go on sale at Prairie Cottage Corner soon. Happy Stitching.

Sunday, January 24, 2010

Valentine Sunbonnet Sue


I wrote a little story for Sue for Valentine's Day. I'm making a quilt that goes with this little story. It won't be finished, I don't think, until after Valentine's Day but I will offer the pattern as soon as it is done....well in time for 2011.

Sue is remembering something from long ago, as she sits by the fire, waiting for her Dear Heart, James, to come in from feeding the livestock. She and James have been married almost fifty years and it's 1913. In her mind, she relives a wintry day all those many years ago, when they were young, and James was courting her.

In her mind's eye, she remembers walking along through the snow with her sweetheart's Valentine under her arm, taking it to him a few miles from her home.

It's 1863 and the Civil War is rumbling on. James, lies in his bed at home, recovering from a wound in his leg. Plans for their wedding had to be postponed when, instead of coming home on furlough, he came home wounded. James' mom and dad had a farm adjacent to Sue's parents' place and both sets of parents had laid off land for James and Sue to have when they married. The doctors say James will recover fully, but then, she asks herself as she walks along, will he be called back to fight? She hopes not, yet, she so wants the war to end.

She and her neighbor women in the farms along the Wabash River have met weekly to make clothing, quilts and blankets for the troops. In the winter just upon them, they had even cut up carpets, canvas, old clothes and old curtains to make warming items for the soldiers in their camps across the war front. Cotton fabric had to be imported and was expensive but wool was still available on the bolt.

Sue made herself a wool coat and jumper, especially for Valentine's Day to cheer and impress James. It was an extravegence, she knew, but warm and comforting against the clear, freezing day. The day before, she had taken James a new quilt for his bed, made of woolen scraps from old clothes. She longed to make an Ohio Star quilt for him but materials were too dear. She had to settle for the old wool and velvet crazy quilt instead. He loved it, he said, and spread it over the couch, where they visited, for all to see.

They had talked about marriage but with the war and all, Sue didn't even have an engagement ring. She knew she wanted to be married right away, whether James went back to the front or not, so didn't see the need for a ring or an engagement. She loved him so much. These were her thoughts as she walked along, the chill wind blowing her scarf and slowing her progress. They had talked of a summer wedding, after James had built their new home. Even now, the beams and lumber lay under tarps along the creek at the homesite, ready for saw, hammer and nail. Progress to build the house in the autumn had been stopped when James had gone off to fight. Many in the township had gone off to fight; some, never to return. It was a somber country in those days.

Sue's heart was full of love and hope and dreams for the future. The South couldn't hold on much longer. She wanted to beat them, even though she had many cousins there in Tennessee from where her family had come a generation before. No word had come from them for many months, since the outset of the conflict and she wanted her family to be safe. Her cousin, Tassie had not been to visit since they were both sixteen, four years ago! In years past, Sue's Indiana family would have gone to Tennessee at least once a year to buy and sell stock and visit the old neighborhoods. Their hearts were as much in the South as they were in the North. It was a troubling thing to have to be so divided in thought and affection.

She turned in at the road leading to James' place and looked up to where the house stood in a stand of trees about a quarter of a mile on. Smoke rose from the chimneys and it looked cozy and warm. Most of the cattle were in the barn that morning but some stood in the cold sunshine and perked their ears at her approach to the farm. She heard James' mare, Pixie, whinney, stretching her head out over the top of her stall door and nodding a greeting. Sue thought, a sleigh ride WOULD be fun, if it weren't so cold. She trotted up the steps and across the wide veranda. James' mother, Mrs. Pace, opened the door to her and said, "Come on in, Sue, you must be frozen stiff!" Sue whisked into the house and was enveloped in the warm cheer of the fireplace and the aroma of baking bread.

She took off her coat and went over to where James sat on the couch, his leg on a hassock and covered with the wool quilt. Her cheeks were rosy from the walk in the cold and her curly auburn hair had begun to form into little ringlets around her warm face. She held the Valentine behind her back, leaned down to kiss his cheek and said, Happy Valentine's Day! When she drew back, James brought his hand out from under the quilt and opened it to reveal a tiny velvet box.

"Happy Valentine's Day," he said to her. Sue's mouth fell open and she looked from the box to James' eyes and back to the box again. She pulled up a straight-back chair to sit close to him, putting her Valentine aside. Taking the box in her hand, she opened it and inside was the most precious little amethyst ring she had ever seen. The amethyst was centered among a ring of tiny diamonds in a platinum setting. James took if from the box and held it for her to place it on her finger.

"Will you marry me?" he asked.

"Yes," she said.

He reached for her and she leaned into his arms and thought how happy they were and how happy they would be together all their lives.

"I love you," he said.

"I love you, too," she said, and she turned her face up to him. He kissed her softly on the lips.

The sound of stamping feet and the draft from the chill outside air, interrupted Sue's reverie. James, tall, white-haired and cold, the snow melting on his jacket, came into the kitchen and said, "It's begun to snow. Melody's going to calve tonight, I'm afraid, and I'll have to break the ice out of the troughs in a little bit, again."

He stopped and looked at Sue, where she stood by the table, wearing a red woolen skirt with a white lace blouse, her once-auburn hair turned up and smoothed under her cap. He hung his coat on the hook, kicked off his boots and keeping his eyes on her, he came toward her in his stocking feet. She looked as beautiful as the first day he knew he loved her, so many years ago. Something about that red dress, brought back the memory of that early Valentine's Day...... Sues rosy cheeks, smiling eyes and cheerfulness in all weathers, were a treasure to him. Her simple and abiding faith in the Lord had sustained him and their family many times and taught them to bend their knees and pray. She was a treasure....a virtuous and humble and gentle woman. He still felt like the luckiest man on earth, when he was with her.

Looking into her eyes, he pulled a tiny velvet box from his pocket, offering it to her in his palm.

"Happy Valentine's Day," he said. He opened the box and revealed a precious little diamond ring, the center stone flanked by a row on each side of all the birth stones of her children, six in all.

"Oh," Sue, whispered, as tears sprang to her eyes. James took the ring from the box and placed it on her finger. Then he took her up in his arms and held her close. He leaned close, drawing her up to him and kissed her lips. She kissed him back.

"I love you," she said.

"I love you, too," he whispered.

Fifty years of loving and living; of laughing and sighing; of good times and hard times; of prayers and hopes; of peace and danger; were embodied in the two as they sat together, remembering it all. Outside, the snow fell softly through the night, covering the world with a beautiful blanket, which, from the lofty reaches of the angels, looked like the palest of patchwork quilts. Prairie Stitcher

Tuesday, December 29, 2009

Welcome "Sue For All Seasons"

The drawings for "A Sue for all Seasons" were done several years ago. Since then, I've offered them as a BLOCK OF THE MONTH from time to time.

Now, for the first time, they are offered in a small medallion quilt format just 46" x 46". The center block in the pattern is a simple nine-patch. The center block is actually a great place to hang a calendar, if the quilt is to be used as a wall-hanging.

You can purchase the pattern for $12 on my site at http://www.prairiecottagecorner.com or http://www.prairiecottagecorner.com/html Just follow the links to the Catalog.

My Sue-sister quilters all around the country who share quilts and projects are so creative. They are experts at finding ways to place Sue in the most interesting quilt designs and layouts. I hope any who have already made this little quilt or who will, in future, buy the pattern, will write to me and show me how you used "Sue for all Seasons". I'll post your pictures here, gladly. The same goes for any of my other quilt and craft patterns.

Beginners should try this quilt. The applique technique using double sided fusible webbing and a hand buttonhole stitch almost guarantees success. Some of the elements of the applique seem tiny in the picture and they are small, when you consider cutting and fusing and stitching them. However, for years, I have used embroidery to fashion the smallest elements of my Sue blocks. The pattern gives instructions for all the basic embroidery stitches you will need. Places where embroidery is useful include hatbands, flowers, shoes, the pets, and any other small details that need emphasis. Prairie Stitcher

Friday, October 2, 2009

New Sunbonnet Sue Quilt Pattern

Today, the Hawaiian Sue quilt pattern made its debut. Twelve precious little Sues in bright Hawaiian colors mixed with Splash fabrics by Blank. Susan Ryan quilted the quilt with huge lilies inspired by one of the Sunbonnet Sue's dress fabrics. (Lots of Sues and Susans in this story!). See my earlier post on this quilt for more details.

This quilt is fast and fun to make. The Sues were sewn by Norma Downing who sells them on ebay under the name, Norrich. Look for her many pre-made Sues on Ebay. If you find you don't want to buy the Sues, though, a traceable pattern is included with ideas for fabrics etc for the little ladies.

To buy the pattern, go to http://www.prairiecottagecorner.com/free

Happy Quilting!